★★★★ "This musical feels exceptional... A massive achievement." - The Guardian on After the Act
★★★★ “Heart-rending yet joyful... brilliantly conveys the hysteria and outrage of Section 28 in propulsive musical form” - The Stage on After the Act
★★★★ “Fantastically daring  ... It would be exhilarating if it weren’t so chilling" - Time Out on After the Act 

★★★★ "Hilarious ... Barrett’s carefully carved direction is exact ... and expert in its satire" - The Guardian on Joan of Leeds
★★★★ "Barrett superbly evokes ... wild humour ... empathy, passion and rebellion" - Time Out on Joan of Leeds

★★★★ "Since U Been Gone is buoyant, as theatre becomes a place of exploration, distraction and safety" - The Guardian on Since U Been Gone
"Billy Barrett’s sensitive direction creates strong visual images and teases out the layers of emotion" - Exeunt on Since U Been Gone

★★★★ "Dystopian live-art performance lecture ... fascinating socio-political critique" - The Scotsman on Unicorn Party

★★★★★ "Consistently exciting ... uneasily current" - The Financial Times on It's True, It's True, It's True
★★★★ "Tremendous ... Gripping court drama ... in Billy Barrett’s free-flowing production" - The Guardian on It's True, It's True, It's True
★★★★ "Billy Barrett’s considered, intelligent production ... glitters with anger" The Stage on It's True, It's True, It's True

★★★★ "Cleverly pitched, often comic, multi-layered show" - The Guardian on Tank
★★★★ "Raw, joyous psych-rock freakout" - The Scotsman on Tank

★★★★ "Theatrically ambitious and boldly political" - The Guardian on The Beanfield
★★★★ "A truncheoning force" - The Sunday Times on The Beanfield

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